GOOD CHARAMEL RECORDS TO RELEASE SEX ON THE BEACH FROM JAPAN’S TsuShiMaMiRe BAND ALSO SET TO CONTRIBUTE 2 SONGS TO I LOVE J-ROCK COMPILATION
Blending elements of punk, Avant Garde, free jazz, ska, surf, and that funky “je ne sais quoi” possessed by many Japanese girl bands, TsuShiMaMiRe consists of Yayoi (bass), Mari (guitar and vocals), and Mizue (drums). The band was formed in 1999 when the girls were still in college. While performing at local venues, TsuShiMaMiRe recorded the demo singles ‘Hamburger Set’ (1999) and ‘Bloody Mohawk’ (2001). The band signed a recording deal with Tokyo based indie, Benten Lable (Petty Booka, Titan Go King’s) and released the first album ‘Pregnant Fantasy’ in the summer 2004. In the same year, the girls joined Bleach, Noodles, and Kokeshi Doll on a 2004 US tour, which included the obligatory stop at the South by Southwest (SXSW) Music Festival in Austin, TX. TsuShimamire have embarked on six US tours with over 150 live shows performed in the states to date. In 2008, TsuShiMaMiRe collaborated with Cartoon Network’s popular television series, Powerpuff Girls on their mini album, Six Mix Girls. On their 10th anniversary, the band made their major label debut on Japan’s FlyingStar Records. The band became notable for their unique style and began gaining a fan base in both the US and their home, Japan. Containing a mix of cuts from their demo singles and new songs, the sound is tight and well-executed, while preserving a refreshing, playful/vicious spontaneity and explosiveness. Whereas Japanese punk bands often prefer to include sing-along, 50s style elements in their songs, TsuShiMaMiRe appears to be informed more by punk, noise, and jazz, and the guitar and bass often engage in wild riff interplay, lending the music a welcome spaciousness that invites repeat listens. Lyrical content is, as we have come to expect from Japanese girl bands, way out there, ranging from songs about how fish paste feels when it is cooked (‘Camaboco’) to an imaginary conversation between a newborn baby and its mother (‘Pregnant Fantasy’). TSMMR’s second full-length album, ‘Sex On The Beach’, was released in the spring of 2010, and the band is now preparing for a North American release on August 31st, via Robby Takac of Goo Goo Dolls’ record label, Good Charamel Records. TSMMR also contribute two tracks to Good Charamel’s ‘I Love J-Rock’ compilation where they appear alongside Shonen Knife, LAZYgunsBRISKY, Molice and DJ Sashimi. For more information, and to stream TsuShiMaMiRe’s Sex on the Beach in its entirety, please visit: http://www.goodcharamel.com/?select=artists&data=tsuShiMaMiRe
SEX ON THE BEACH TRACK LISTING:
1. Sex On The Beach
2. Chicken Sandwich
3. Strobo (Strobe)
4. J-POP
5. Momo-Daro
6. Pan Basket (Bread Basket)
7. Jitensha (Bicycle)
8. Hime Jijo (Princess Affairs)
9. Obachan No Brassier (Grandmother’s Brassier)
10. Nezumi Sensation
11. Horn Practicing
12. Rush Hour
13. Jinsei Kengai (My Life Is Out of the Way)
JAPAN’S MOLICE TO RELEASE CATALYSTROCK ON GOOD CHARAMEL RECORDS BAND SET TO PERFORM AT ANIME WEEKEND ATLANTA CONVENTION ON SEPT 18 IN ATLANTA, GA AND TO CONTRIBUTE TWO TRACKS TO UPCOMING I HEART J-ROCK COMPILATION
When Rinko and Yuzuru formed Molice in 2007, they had something most young bands don’t: a vision. Valuing the lessons learned from the dissolve of their previous band China Chop, they set about crafting a more focused unit, taking their love for the conceptual bands of the ‘60s and ‘70s as an inspiration rather than a template and infusing it with the edginess of their favorite movie, ‘Blade Runner’. The result is a sound that couples the grunt of Pixies with the soul of The Doors, a sprinkling of Smiths-y guitar melody and a pinch of disco sensibility. Their two albums may pack in a wide variety of styles, but their songwriting is always tight and punchy, from the dancefloor bluster of ‘Headphone’ on 2008 album ‘Doctor Ray’ to the sultry, sexy ‘Romancer’ on 2010’s ‘Catalystrock’. Though the band are now a four-piece, their core is very much a blend of the meticulous mind of Rinko and Yuzuru’s handcrafted production techniques. Molice formed in January 2007 when they began playing weekly jams at Tokyo bar Kokubunji Rubber Soul, and they immediately set about crafting both their sound and image with care. In May 2007, they self-produced their first recordings, releasing them as ‘Molice Demo’. Fast-forward to August, and Molice were on stage at Japan’s biggest music festival, Summer Sonic. In September they performed a solo show (which in Japan is considered a sign of great popularity) before starting work on a series of three new demo CDs, which they released over the remains of 2007 and into the summer of 2008. In November 2008, they released their first commercial CD, ‘Doctor Ray’, followed by a year of headline shows around Tokyo’s club scene, in places such as Shibuya, Shinjuku and Akihabara. That autumn, the music video for their track ‘Headphone’ was playlisted for repeated broadcast on French TV station NOLIFE. The band rounded out 2009 with three shows in London, England, followed in May 2010 by a show in Vietnam, at Hanoi’s CAMA Festival. Whether at home or abroad, they inject their shows with raw power and energy. Molice’s second album, ‘Catalystrock’, was released in Japan in March 2010, and quickly found a warm reception from critics: Molice were chosen by Time Out as one of five Japanese acts primed for success in 2010, and interviews with the band graced several national and local publications. The North American version of ‘Catalystrock’ will be released from Good Charamel Records (www.goodcharamel.com) on August 31st, 2010 and it include bonus tracks of ‘Superstar’ and ‘Monster’ (Remix). Molice will be performing at the AWA Convention (Anime Weekend Atlanta, http://www.awa-con.com) on September 18th. AWA is a three-day Japanese Animation and comics convention held annually in Atlanta, Georgia. Since 1995, AWA has become one of the most popular Japanese Animation conventions in the United States. The band has also contributed two tracks to Good Charamel’s ‘I Love J-Rock’ compilation, where they appear alongside Shonen Knife, LAZYgunsBRISKY and DJ Sashimi. For more information, and to stream snippets of ‘Catalystrock’, please visit: http://www.goodcharamel.com/?select=artists&data=molice
CATALYSTROCK TRACK LISTING:
1. Monster
2. Romancer
3. Android Said
4. Monday Runs
5. Paint It Yellow
6. Perfect Morning
7. Let’s Merge!
8. into YOU
9. Fine Wave
10. Still Alive
11. Praying
12. The HAZE
13. Superstar*
14. Monster (Remix)*
*North America Only Bonus Tracks
LAZYgunsBRISKY TO RELEASE ‘26 TIMES’ ON GOOD CHARAMEL RECORDS BAND LENDS TWO TRACKS TO UPCOMING I LOVE J-ROCK COMPILATION
LAZYgunsBRISKY is a 4-piece all girl rock band formed in Japan in 2006 by Lucy (vocal), Izumi (guitar), Azu (bass), and Moe (drums). They recorded their first free demo CD ‘The Trip’ in February 2007. Word of mouth quickly spread and in April of 2008, they released their debut indie album ‘Quixotic’ on July Records. In December of the same year, Kenichi Asai (ex. BLANKEY JET CITY) produced and released LgB’s major label EP Catching which came out on the Babestar label. On July 8th of 2009, LgB released their 2nd EP 26 Times on Flying Star Records in Japan, which as also produced by Asai. Featuring a healthy offering of the band’s hard-edged riff-rock, ’26 Times’ will finally be released in North America on August 31 on Good Charamel Records, the Buffalo, NY based label run by Goo Goo Dolls bassist, Robby Takac. Over the last several months LAZYgunsBRISKY has been playing shows throughout Japan and Europe. A US tour is anticipated in early 2011.Stream snippets from the album here:
http://www.goodcharamel.com/?select=artists&data=lazyGunsBrisky
Check out the band’s music video for ‘Navy Star’:
26 TIMES TRACK LISTING:
1. Liar
2. Navy Star
3. Bitter Day
4. Now!
5. Sneaky
6. Chicken race
7. Ring, ring, ring
8. Abbey road


























































